By Tracy J. Prince,Thomas C. Caramagno
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Can there be a flaneuse, and what shape may she take? this is often the critical query of Streetwalking the city, an immense contribution to ongoing debates at the urban and modernity during which Deborah Parsons re-draws the gendered map of city modernism. Assessing the cultural and literary historical past of the idea that of the flaneur, the city observer/writer frequently gendered as masculine, the writer advances severe area for the dialogue of a feminine 'flaneuse,' targeted round a number girls writers from the 1880's to international struggle , together with Amy Levy, Virginia Woolf, Jean Rhys, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing.
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In his exam of the excavation of historic Assyria by way of Austen Henry Layard, Shawn Malley unearths how, by means of whom, and for what purposes the stones of Assyria have been deployed in the course of a short yet remarkably severe interval of archaeological task within the mid-nineteenth century. His publication encompasses the archaeological practices and representations that originated in Layard's excavations, radiated outward in terms of the British Museum and Layard's best-selling Nineveh and Its continues to be (1849), and have been then dispersed into the general public area of well known amusements.
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